This book stresses a theoretical approach to landscape aesthetics, including habitat theory and prospect-refuge theory, based on an analysis of research literature and experience in a wide area of art and science. This edition covers recent developments in the field.

本•A. 敏特尔（Ben A. Minteer），亚利桑那州立大学生命科学院教授，主要研究领域为环境伦理与保护，论文刊登于《科学》《自然》《美国国家科学院院刊》等刊物。《景观革新》是他研究美国环境思想的代表作。

This book combines poetry and pragmatism to teach the language of landscape. Anne Whiston Spirn argues that the language of landscape exists with its own grammar and metaphors, and that we imperil ourselves by failing to learn to read and speak this language. To understand the meanings of landscape, our habitat, is to see the world differently and to enable ourselves to avoid p...(展开全部)

本•A. 敏特尔（Ben A. Minteer），亚利桑那州立大学生命科学院教授，主要研究领域为环境伦理与保护，论文刊登于《科学》《自然》《美国国家科学院院刊》等刊物。《景观革新》是他研究美国环境思想的代表作。

In The Ambiguities of Experience , James G. March asks a deceptively simple question: What is, or should be, the role of experience in creating intelligence, particularly in organizations? Folk wisdom both trumpets the significance of experience and warns of its inadequacies. On one hand, experience is described as the best teacher. On the other hand, experience is described a...(展开全部)

In The Ambiguities of Experience , James G. March asks a deceptively simple question: What is, or should be, the role of experience in creating intelligence, particularly in organizations? Folk wisdom both trumpets the significance of experience and warns of its inadequacies. On one hand, experience is described as the best teacher. On the other hand, experience is described a...(展开全部)

This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the eighteenth to the late twentieth century. It offers a detailed account of the different displays that have been created - the colors of the background walls, lighting, furnishings, the height and density of the art works on show - and it t...(展开全部)

This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the eighteenth to the late twentieth century. It offers a detailed account of the different displays that have been created - the colors of the background walls, lighting, furnishings, the height and density of the art works on show - and it t...(展开全部)